Three-in-One-One-in-Three Collection

I bind unto my­self to­day
The strong name of the Tri­ni­ty,
By in­vo­ca­tion of the same
The Three in One and One in Three.

First stanza in St. Patrick’s Breastplate

This is the second parament and vestment collection I created for Mount Olive Lutheran Church in Newton, North Carolina. This collection has the special distinction of being the only one I produced that has been used in both our chapel and sanctuary. I love to give credit where credit is due. Many of the lovely ladies from our church helped with the construction of this set.

I chose to call this collection Three-in-One-One-in-Three due to the abstract nature of how the cross medallions are formed in the layouts of the paraments. It is very subtle and subconsciously causes the congregants’ line of vision to move from one element of the design to the next, then on to the next. The central focus when one gazes upon the dressed chancel are the superfrontal and chalice veil, and in the case of Mount Olive, a crucifix in the center of it all.

No matter the liturgical season, these elements will always be present, no matter the color, theme, or style. They are our first reminders of why we come to church every Sunday morning, and other days also. We see the colors and motifs upon the paraments that remind us of events in Jesus’ earthly ministry. Whether the crucifix is centered in front of the chalice veil or elsewhere on the altar, it is there as a reminder of God’s love for us in that Christ died on the cross for our sins. Best of all, we see the chalice veil covering the most important aspect of the Divine Service; Christ’s true body and blood where we receive the forgiveness of our sins. This all happens where the Holy Spirit brings us the Word from the pastor’s mouth to our ears.

In this particular collection one will see two rows with each row containing three cross medallions. This partition is separated by an orphrey on each side. The next portion on either side contains two rows of one medallion in each row. A partition that matches the center piece caps each end. Hence the Three-in-One-One-in-Three. After the mind’s eye moves back to the center the viewer looks up where a subtle line moves into a Trinitarian symbol. The lectern fall matches the center partition of the superfrontal, of two rows of three medallions, plus a lower horizontal orphrey border. Then the Bible marker draped over the pulpit displays one medallion with an orphrey trim.


Three-in-One-One-in-Three Collection during Ash Wednesday 2026

Three-in-One-One-in-Three Collection during Good Friday 2026

Full Poem of St. Patrick’s Breastplate

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